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This rise in popularity of the artist has resulted in the removal of their paintings to be sold. One example can be seen in the removal of Girl with Red Balloon from Shoreditch, east London in 2013–2014. The painting was removed over a period of two weeks, using a diamond-bladed chainsaw to cut through 22 cm of brick.
As a result, Mould revises his estimate of the painting's value to be between £50,000 and £100,000. Although professional removal of the painting would be costly and not without risk, the owners decide to go ahead with this, and the work is removed safely and sent for restoration before going to auction. [70]
The Price of Everything, 2018 documentary on contemporary art valuations; The Lost Leonardo, 2021 documentary on the 2017 sale of the Salvador Mundi; List of most expensive artworks by living artists; List of most expensive books and manuscripts; List of most expensive cars sold at auction; List of most expensive non-fungible tokens
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Mold is a dangerous library pest because of the damage it causes to the collections. Mold thrives off of paper and books; these objects provide the fungi a source of nutrition, namely the sugar and starches present in the cellulose materials. [6] Mold feeds on cloth, leather, glues, adhesives, cellulose starch and starches in the sizing.
Afterwards it was to be laid picture side up, with the image covered by a sheet of paper coated in paste (generally of a beeswax or glue base). The artwork would then be flipped over and secured to the work surface with pins or nails. The current canvas would then be trimmed down or removed entirely so that a new, larger one may be applied. [6]
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Exposing acrylic paintings to temperatures ranging near sub zero will cause damaging cracking. Acrylic paint is highly susceptible to mold growth. This is a growing concern for artists and conservators as removal causes some degree of damage to the original paint.