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La escopeta nacional (in English, The National Shotgun) is a 1978 Spanish comedy film directed by Luis García Berlanga.The first installment in a critically and commercially successful trilogy, the picture is an indictment of the legacy of Francisco Franco and the business classes upon whom he depended for support.
Nacional III is a Spanish comedy film from 1982 directed by Luis García Berlanga and written by him together with Rafael Azcona, the third part of the trilogy about the Leguineche family after La escopeta nacional (1978) and Patrimonio nacional (1981). [1] [2] [3]
Los mitos de la Guerra Civil (Myths of the Civil War) La sociedad homosexual y otros ensayos (Homosexual society and other essays) Años de hierro. España en la posguerra. 1939–1945" (Iron years, Post-war Spain 1939–1945) De un tiempo y de un país, La izquierda violenta (1968–1978) (About a time and a country. The violent left 1968–1978)
Some of the theatrical productions for which he created costume designs in the 1940s and 1950s are Don Juan Tenorio, where he met Salvador Dalí in 1949, The Phantom Lady, The Village of Stepanchikovo, El caballero de Olmedo, La guardia cuidadosa, a drawing of Don Gil of the Green Breeches, and five sketches for the sets of Life Is a Dream, Y ...
Ana María Matute Ausejo (26 July 1925 – 25 June 2014) was an internationally acclaimed Spanish writer and member of the Real Academia Española. [1] [2] In 1959, she received the Premio Nadal for Primera memoria.
Manuscript of Trafalgar, 1873. Biblioteca Nacional de España. Manuscript of La familia de Carlos IV, 1873. Biblioteca Nacional de España.. With the exception of Gerona, all the episodes follow the adventures of the boy Gabriel de Araceli, beginning in French-dominated Spain through the war of Independence, from the battle of Trafalgar to the defeat of the French armies (1805–1814).
Informes y observaciones elevados a los poderes públicos, [35] and in 1924 Memoria de las mejoras introducidas en la Fábrica y Ferrocarriles de la Sociedad Azucarera de Madrid. [36] In the mid-1920s he represented Industria Azucarera Española in the Consejo de la Economía Nacional, and voiced in issues related to the sugar trade with Cuba ...
The Twenty-Six Point Program of the Falange (Spanish: Programa de Veintiséis Puntos de la Falange), originally the Twenty-Seven Point Program of the Falange (Spanish: Programa de Veintisiete Puntos de la Falange), is a manifesto that was written by José Antonio Primo de Rivera in September 1934.