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The Hasht Bihisht, and indeed the whole of the Khamsah, was a popular work in the centuries after Khusraw's death, not only in India, but in Iran and the Ottoman Empire, and as such was illustrated nearly as frequently as Nizami's Khamsah from the early fifteenth century on.
However, the normal meaning of xat(t) ("line") in Persian love poetry is the line of the growing moustache which adorns an adolescent boy's lip. [26] If so, it would refer to an actual physical feature of the face rather than to make-up. The phrase xāl o xatt (or xatt o xāl) is frequent in the poets, as in the following line of Hafez: [45]
He is known for his love poetry and for being one of the originators of the literary form ghazel in Islamic literature. [3] He was "impassioned by everything beautiful that he saw in the street or during pilgrimage.".
Chaapp Tilak Sab Chheeni is considered as Amir Khusru‘s most known Kalam which is basically a penned version of his imagination of devotion and the joy of oneness with the eternal one. This poetry is an epic example where an inherent middle eastern art form gets entangled with the Indic philology, custom and art a unique twist between the two ...
Islamic poetry is different in many ways like cultural, Traditions, Literature, etc. Hashem stated, "Islamic religious poetry has been composed in a wide variety of languages". (Deen) poetry is a very important thing in the Islamic religion because poetry has equality of beauty to the Islamic religion. Also, poetry use in many different ...
Anwar opined that Amir, through Nyanyi Sunyi, brought a new style to the Indonesian language, with its "compactly violent, sharp, and yet short" sentences. [1] In a 1945 article he wrote (translation by Raffel), "Before Amir (Hamzah) one could call the old poetry a destructive force; but what a bright light he shone on the new language". [1]
Suman Pokhrel (Nepali: सुमन पोखरेल; born 21 September 1967) is a Nepali poet, lyricist, playwright, translator and artist. Universities in Nepal and India have included his poetry in their syllabi.
Ameer Minai or Amir Meenai (Urdu: امیر مینائی; 1829 — 13 October 1900) was a 19th-century Indian Urdu poet. [1] He was respected by several contemporary poets including Ghalib and Daagh Dehalvi and by Muhammad Iqbal .