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Leblanc imported Yamaha flutes for its Vito-Japan line starting in 1970. Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by ...
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
Vito Pascucci (October 22, 1922 – August 18, 2003) was an American businessman, the CEO and co-founder (with Leon Leblanc) of G. Leblanc Corp, an American musical instrument firm based in Kenosha, Wisconsin. The firm started out as the American branch of the French G. Leblanc company.
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Conn-Selmer kept Leblanc in production of clarinets but ended their brasswind production in 2007, discontinuing their Martin brand and moving production of their Holton brand to Elkhart, Indiana. Conn-Selmer retains the North American importation and distribution rights for Selmer (Paris) and Yanagisawa Wind Instruments formerly held by H.
Julian Bliss (born 1989) is a British clarinettist and clarinet designer. He has performed as a soloist, chamber and jazz musician, notably with his teacher Sabine Meyer. He also designed the Bliss Clarinet for instrument manufacturer Leblanc.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]