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Wolfgang Amadeus Mozart's Piano Sonata No. 4 in E-flat major, K. 282 / 189g, is a sonata in three movements: Adagio Menuetto I–II (Menuetto I is in B ♭ major , but Menuetto II is in E ♭ major, then returns to Menuetto I)
In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
The concerto was originally scored for two fortepianos together with two oboes, two bassoons, two horns in E ♭, and strings. Mozart expanded the score in 1782 with pairs of clarinets, trumpets and timpani. However, the authenticity of the additions is not beyond question; they do not appear in the score. The work is in three movements:
The third movement, which opens with the solo piano, is in a rondo form on a large scale. It is interrupted by a slow minuet section in the subdominant key of A ♭ major (a procedure Mozart would repeat with his 22nd concerto, 1785, also in the key of E ♭ major). The work ends in the original tempo.