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In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat. When there is more than one flat, the tonic is the note of the second-to-last flat in the signature. [11] In the major key with four flats (B ♭ E ♭ A ♭ D ♭), for example, the second to last flat is A ♭, indicating a key of A ...
"E-flat was the key Haydn chose most often for [string] quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major." [2] Or "when composing church music and operatic music in E-flat major, [Joseph] Haydn often substituted cors anglais for oboes in this period", and also in Symphony No. 22. [3]
A particular key features a tonic note and its corresponding chords, also called a tonic or tonic chord, which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. [2] Notes and chords other than the tonic in ...
The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor; Subdominant – E-flat major; Dominant – F major; Submediant – G minor; Leading-tone – A diminished