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Procession of the Virgin, Cruz de Mayo, Sama de Grado, Asturias, Spain. Cross of the Hermandad de la Cruz de la Calle La Fuente. Rociana del Condado, Province of Huelva. Aguilar de la Frontera (Province of Córdoba). There is a procession of Nuestra Señora de los Remedios from the Iglesia de la Veracruz ("Church of the True Cross") in the ...
The original image of the “Black Christ of Esquipulas”. The Black Christ of Esquipulas is a darkened wooden image of Christ enshrined within the Cathedral Basilica of Esquipulas in Esquipulas, Guatemala.
In 1843, conservative president Rafael Carrera authorized the Society of Jesus to return to Guatemala advised by priest and high rank conservative Juan José de Aycinena y Piñol; however, due to the constant wars against liberal regimes in Central America, the return of the Jesuits could not materialize until 1851, after Carrera was solidly in ...
Su tamaño y formato hacen suponer que hubiera podido formar parte del altar de alguna iglesia toledana desamortizada en el siglo XIX. La composición es una pervivencia de los modelos florentinos percibidos a través de Juan de Borgoña, como El Descendimiento de la cruz de este último pintado al fresco en la Sala Capitular de la catedral de ...
Active obedience of Christ; Advocate; AD; Anoint; Antichrist; Apostle; Ascension; Baptism; BC; Blessed Sacrament; Blood; Blood Atonement; Christus Dominus; Crucifixion
The Church and Convent of San Ignacio de Loyola de la Compañía de Jesús de Quito, also known in the Ecuadorian people simply as La Compañía, is a Catholic clerical complex located on the corner formed by calles García Moreno and Sucre, in the Historic Center of the city of Quito, capital of Ecuador. The façade of its main temple is ...
Once the bearded, long-haired Jesus became the conventional representation of Jesus, his facial features slowly began to be standardised, although this process took until at least the 6th century in the Eastern Church, and much longer in the West, where clean-shaven Jesuses are common until the 12th century, despite the influence of Byzantine art.
The Cruz de Mañozca (Mañozca Cross), [2] otherwise known as the Cruz de Tepeapulco (Tepeapulco Cross), [3] is a 16th century atrial stone cross placed in the courtyard of the Mexico City Metropolitan Cathedral, in the historic center of Mexico City, in the Cuauhtémoc Borough.