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Pindar (/ ˈ p ɪ n d ər /; Ancient Greek: Πίνδαρος Pindaros; Latin: Pindarus; c. 518 BC – c. 438 BC) was an Ancient Greek lyric poet from Thebes.Of the canonical nine lyric poets of ancient Greece, his work is the best preserved.
The poet prays that the Muses may inspire him to sing the three victories already won by Epharmostus and his friend at the Isthmus and at Nemea, and by Epharmostus alone at Nemea and elsewhere (80–99). [5] That which comes by Nature and is the gift of God is the best; men's pursuits are very various, and all men have not the same training. [5]
Pindar's stay in Sicily has been assigned to 476 and 475 BC, and 472 is consistent with the poet's presence in Thebes. [ 1 ] 468 is proposed by Boeckh . [ 1 ] " Aetnaean Zeus" in line 96 may imply a reference to the founding of Aetna in 476, and is consistent with either of the above dates.
Pindar of Thebes (choral lyric, 5th century BC) In most Greek sources the word melikos (from melos, "song") is used to refer to these poets, but the variant lyrikos (from lyra, "lyre") became the regular form in both Latin (as lyricus) and in modern languages. The ancient scholars defined the genre on the basis of the musical accompaniment, not ...
Philip was content to deprive Thebes of its dominion over Boeotia; but an unsuccessful revolt in 335 BC against his son Alexander the Great while he was campaigning in the north was punished by Alexander and his Greek allies with the destruction of the city (except, according to tradition, the house of the poet Pindar and the temples), and its ...
These include the historians Hellanicus and Pherecydes, the lyric poets Simonides, Bacchylides, and Pindar, and in particular, tragedies from each of the three great tragic poets, Aeschylus (Eleusinians, and Seven Against Thebes), Sophocles (Antigone, and Oedipus at Colonus), and Euripides (Hypsipyle, The Phoenician Women, and The Suppliants).
Melia was an important object of cult worship at the Ismenion, the major sanctuary of Apollo Ismenios at Thebes. [19] In at least three separate poems, Pindar mentions Melia in connection with the Theban sanctuary. In one he refers to the Ismenion and "the splendid hall of Oceanus’ daughter . . . Melia". [20]
The ode begins with a priamel, where the rival distinctions of water and gold are introduced as a foil to the true prize, the celebration of victory in song. [7] Ring-composed, [8] Pindar returns in the final lines to the mutual dependency of victory and poetry, where "song needs deeds to celebrate, and success needs songs to make the areta last". [9]