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The Kangra paintings feature flowering plants and creepers, leafless trees, rivulets, and brooks. The Kangra artists adopted various shades of the primary colors and used delicate and fresher hues. For instance, they used a light pink on the upper hills to indicate distance. Kangra paintings depict the feminine charm in a very graceful manner.
Guler State is famous as the birthplace of Kangra painting when in the first half of the 18th century, a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler. The rise of Guler Paintings or Guler style started what is known as the early phase of Kangra art. [3]
Guler State was famous as the cradle of the Kangra paintings. Guler painting is the early phase of Kangra Kalam. About the middle of the eighteenth century some Hindu artists trained in Mughal style sought the patronage of the Rajas of Guler in the Kangra Valley. There they developed a style of painting which has a delicacy and a spirituality ...
Chandu Lal Raina, an exponent of the Kangra school of painting and a descendent of Pandit Seu and Nainsukh, was settled in Rait. In 1973, to revive Kangra painting, the Himachal Pradesh government started a training centre for young artists at Rait, with Chandu Lal Raina in charge as mentor. Raina trained 35 artists at this centre, and worked ...
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Mola Ram himself initially painted in the Mughal style until visiting Kangra, [8] e.g. his painting Mastani is in the Mughal idiom, [9] while his later paintings, e.g. Vasakasajja Nayika, [10] are in the Garhwal style, and can be called Garhwali Paintings in true sense. Some of his paintings are signed. [2]
As well as some more conventional scenes, such as showing the raja hunting with a retinue or watching dancers, paintings by Nainsukh show the raja getting his beard trimmed, writing a letter, performing a puja, looking out of a palace window, sitting in front of the fire wrapped in a blanket, or smoking a hookah and inspecting a painting. [16]
Miniature painting of Raja Sansar Chand of Kangra State as a young boy during his childhood. Sansar Chand was a scion of the Katoch dynasty, which ruled Kangra for centuries until they were ousted by the Mughals in the early 17th century.