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Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Depending on stylistic variations, the Mughal miniatures can be further classified into the early, later and provincial Mughal schools, with the last referring to the art styles that emerged in the subas. On the other hand, Kangra, Basohli, Garhwal, etc., form different sub-schools of the Pahari miniature style. [4] [2] [1]
One of the foremost schools of Pahari miniatures is named after this small principality. [2] Guler State is famous as the birthplace of Kangra painting when in the first half of the 18th century, a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Miniature painting of Raja Sansar Chand of Kangra State as a young boy during his childhood. Sansar Chand was a scion of the Katoch dynasty, which ruled Kangra for centuries until they were ousted by the Mughals in the early 17th century.
Mola Ram or Maula Ram (1743–1833) [1] was an Indian painter, who originated the Garhwal branch of the Kangra school of painting. [ 2 ] [ 3 ] He was also a poet, historian and diplomat. [ 4 ] Mukandi Lal did research on him.
English: Kangra painting of Mirabai (alt. spelt as 'Meera Bai', 'Meerabai', or 'Mira Bai') playing the veena. A painting of the poet-saint Mīrābai (1498–1546 ...
Unusually for Pahari painting, some are dated. [7] There are at least two self-portraits, one from early in his career, and the other in a group scene with Balwant Singh, who is looking at a miniature, with the artist seated below him. Nainsukh peers over the raja's shoulder, perhaps offering his comments on the work, or ready to do so. [8] '