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Tecpatl (sacrificial knife), image based on the Codex Borgia. In Aztec mythology, the tecpatl was sometimes drawn as a simple flint blade, sharpened with some notches on the edge, in the Codex Borgia it appears red. [3] Tecpatl was associated with Northern cardinal point ., [4] the dark place of eternal stillness and rest of the dead.
A drawing from the Catalog of the Royal Armoury of Madrid by the medievalist Achille Jubinal in the 19th century. The original specimen was destroyed by a fire in 1884. The maquahuitl (Classical Nahuatl: māccuahuitl, other orthographic variants include mākkwawitl and mācquahuitl; plural māccuahuimeh), [4] a type of macana, was a common weapon used by the Aztec military forces and other ...
Aztec or Mixtec frog ornament necklace from the Metropolitan Museum of Art, 15-16th cent. Frogs are associated with the earth. Metal working in Mesoamerica, especially of silver, gold and copper was advanced by the time the Spanish arrived, mostly concentrated in the modern states of Michoacán, Oaxaca and Guerrero.
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl ).
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli. The figure has yellow and black face paint, as is ...
The other gods were angered to hear of Tlaltecuhtli's treatment and decreed that the various parts of her dismembered body would become the features of the new world. Her skin became grasses and small flowers, her hair the trees and herbs, her eyes the springs and wells, her nose the hills and valleys, her shoulders the mountains, and her mouth ...
Depiction of two Aztec warriors, the warrior on the right is wielding a tlaximaltepoztli. The bronze axe is mentioned in the Relación de Michoacán, in the story of the Purepecha's Princess Erendira, who resisted the Spanish invasion. In one part of the story, it is described how the local women started to dress the princess and gave her axes ...
Room 3 demonstrates the economics of the Aztec empire in the form of tribute and trade, with examples of finished products and raw materials from many parts of Mesoamerica. Room 4 is dedicated to the god Huitzilopochtli. His shrine at the temple was the most important and largest. This room contains various images of him as well as offerings.