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Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
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Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...
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Theatre History Studies, founded in 1981, is the official journal of the Mid-America Theatre Conference. Published by University of Alabama Press, it is listed in Scopus and Arts and Humanities Citation Index. [1] [2] Issues since 2007 are accessible through MUSE. [3] [4]
Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Chekhov, Ibsen, and Strindberg.
His book The Presence of The Actor was first published in 1972 by Theatre Communications Group, and a second edition followed in 1991. Based on his experiments with actors, the book includes exemplar notes, photographs, and exercises from Open Theatre productions, and records Chaikin's ideas about theater as a tool for social transformation.