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Ensō (円相) is a Japanese word meaning "circle". It symbolizes the Absolute, enlightenment, strength, elegance, the Universe, and the void; it also may be taken to symbolize the Japanese aesthetic itself. Zen Buddhist calligraphists may "believe that the character of the artist is fully exposed in how she or he draws an ensō.
Shibui still maintains this literal meaning, and remains the antonym of amai (甘い), meaning "sweet". However, by the beginnings of the Edo period (1615–1868), the term gradually had begun to refer to a pleasing aesthetic. The people of Edo expressed their tastes in using this term to refer to anything from song to fashion to craftsmanship ...
This view from the Symbolic Mountain in the gardens in Cowra, Australia shows many of the typical elements of a Japanese garden. The aesthetic of Japanese gardens was introduced to the English-speaking world by Josiah Conder's Landscape Gardening in Japan (Kelly & Walsh, 1893). Conder was a British architect who had worked for the Japanese ...
To create an emotional association, they used a non-Japanese name, from classical Greek terms meaning "good" and "skin". It was so successful that it is still continued to be sold today. [ 20 ] The exotic motto "Richness in All" used by Shiseido accurately represented the time as it was when Japan was still new to western influences. [ 7 ]
The definition of wagashi is ambiguous, and the line between wagashi and other types of Japanese confectionery is vague. For example, although the original kasutera ( castella ) was introduced from Portugal, it has been around for more than 400 years and has been modified to suit Japanese tastes, so it is classified as a wagashi.
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For example, a work of art is said to be aesthetically pleasing to the eye if the elements within the work are arranged in a balanced compositional way. [10] However, there are artists such as Salvador Dalí who aim to disrupt traditional composition and challenge the viewer to rethink balance and design elements within art works.
The term iki is commonly used in both conversation and writing, having had a lasting effect on the development and continuation of Japanese aesthetics in the modern day, despite not necessarily being considered exclusive of other categories of Japanese aesthetic concepts and ideals, such as wabi-sabi.