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At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
A person working in slip stitch crochet can follow a knitted pattern with knits, purls, and cables, and get a similar result. [42] It is a common perception that crochet produces a thicker fabric than knitting, tends to have less "give" than knitted fabric, and uses approximately a third more yarn for a comparable project than knitted items.
Southern belles were expected to marry respectable young men, and become ladies of society dedicated to the family and community. [1] The Southern belle archetype is characterized by Southern hospitality, a cultivation of beauty, and a flirtatious yet chaste demeanor. [2] For example, Sallie Ward, who was born into the planter class of Kentucky ...
Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]
The fabric had turned into peat, but was still identifiable. Many bodies at the site had been wrapped in fabric before burial. Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric. One kind of fabric had 26 strands per inch (10 strands per centimeter).
A crocket (or croquet) is a small, independent decorative element common in Gothic architecture. [1] The name derives from the diminutive of the Old French croc , meaning "hook", due to the resemblance of a crocket to a bishop 's crook -shaped crosier .