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Courtly love (Occitan: fin'amor; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love".
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Frau Minne (vrowe minne) is a personification of courtly love in Middle High German literature. She is frequently addressed directly in Minnesang poetry, usually by the pining lover complaining about his state, but she appears also in the longer Minnerede poems, and in prose works.
The Châtelaine de Vergy tells the story of an unnamed knight in the service of the Duke of Burgundy who is the lover of the Châtelaine of Vergy, the Duke's niece. The Châtelaine has accepted this knight's love on one condition: that he must keep their relationship secret from everyone, and that when he comes to visit her, he must wait for her little dog to come out to him in the garden ...
Andreas Capellanus (Capellanus meaning "chaplain"), also known as Andrew the Chaplain (fl. c. 1185), and occasionally by a French translation of his name, André le Chapelain, was the 12th-century author of a treatise commonly known as De amore ("About Love"), and often known in English, somewhat misleadingly, as The Art of Courtly Love, though its realistic, somewhat cynical tone suggests ...
The Monastery of Love (Das Kloster der Minne) is a Minnerede (courtly love story) or Minneallegorie (courtly love allegory) from the 2nd quarter of the 14th century. [1] The poem consists of up to 1890 rhyming couplets and was probably composed between 1330 and 1350 in southern Germany.
It has been suggested that if the author had indeed arranged the Lais as presented in Harley 978, she may have chosen this overall structure to contrast the positive and negative actions that can result from love. [5] In this manuscript, the odd lais ("Guigemar", "Le Fresne", etc.) praise the characters who express love for other people. [5]
Petrarch's obsessive feelings toward Laura fit remarkably well under the title courtly love. This love is a way to explain his erotic desire and spiritual aspiration. Shakespeare, similarly to Petrarch, shows an eroticized love to the fair youth, a love that also fits nicely under pretense of courtly love.