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There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The Chinese dragon has very different connotations from the European dragon – in European cultures, the dragon is a fire-breathing creature with aggressive connotations, whereas the Chinese dragon is a spiritual and cultural symbol that represents prosperity and good luck, as well as a rain deity that fosters harmony.
Xingqi breath circulation continued developing during the Song (960-1279). Among the many progressive series of Daoist breath-circulating exercises ascribed to famous masters such as Chisongzi and Pengzu, one more complex set is attributed to the lesser-known Master Ning, the Ning xiansheng daoyin fa (寧先生導引法, Master Ning's Gymnastic ...
Tai chi is a widely practiced Chinese internal martial style based on the theory of taiji, closely associated with qigong, and typically involving more complex choreographed movement coordinated with breath, done slowly for health and training, or quickly for self-defense. Many scholars consider tai chi to be a type of qigong, traced back to an ...
Prana is consistently regarded as the primary breath, akin to breath in English, while apana is associated with carrying off excrement. The Prashna Upanishad first described prana governing upper body functions and apana controlling lower functions, based on the concept of distinct airs or gases governing bodily functions.
Fenghuang, Chinese phoenix; Fenghuang. Feilian, god of the wind who is a winged dragon with the head of a deer and tail of a snake. Feilong, winged legendary creature that flies among clouds. Fish in Chinese mythology; Four Perils; Four Symbols, also called Sixiang, four legendary animals that represent the points of the compass.
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will.
The Om symbol, with epigraphical variations, is also found in many Southeast Asian countries. In Southeast Asia, the Om symbol is widely conflated with that of the unalome; originally a representation of the Buddha's urna curl and later a symbol of the path to nirvana, it is a popular yantra in Southeast Asia, particularly in Cambodia and Thailand.