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The modern western xylophone has bars of rosewood, padauk, cocobolo, or various synthetic materials such as fiberglass or fiberglass-reinforced plastic which allows a louder sound. [4] Some can be as small a range as 2 + 1 ⁄ 2 octaves but concert xylophones are typically 3 + 1 ⁄ 2 or 4 octaves.
A gabbang consists of a set of trapezoidal bamboo bars of increasing length resting on a resonator. [2] The number of bars varies with the group that made them: Among Yakans, the number ranges from three to nine bamboo bars, but the common agung gabbang has five; among Tausugs, the number ranges from 14 to 22 bamboo bars, but the common gabbang has 12; and in Palawan, the common gabbang has five.
Gabbang – bamboo xylophone (Yakan, Batak, B'laan, Sama-Bajau, TausÅ«g) Luntang – wooden beams hanging from a frame (Maguindanaon) Kulintang a tiniok – set of eight, tuned knobbed metal plates strung on a wooden frame (Maguindanaon) Babandil – small gong; Saronay – eight tuned knobbed metal plates strung over a wooden frame (Maranao)
The kulintang a kayo (literally, “wooden kulintang”) is a Philippine xylophone of the Maguindanaon people with eight tuned slabs strung horizontally atop a padded wooden antangan (rack). Made of hand-carved soft wood such as bayug (genus Pterospermum) or more likely tamnag (genus unknown), the kulintang a kayo is rarely found except in ...
In the Thai xylophone family, there are several similar instrument with bars made from different types of material, such as metal (ranat ek lek, ranat thum lek) and glass (ranat kaeo). There is another similar Thai xylophone that has a different kind of wooden bar, called “ranat thum”.
In South and South East Asia, traditional uses of bamboo the instrument include various types of woodwind instruments, such as flutes, and devices like xylophones and organs, which require resonating sections. In some traditional instruments bamboo is the primary material, while others combine bamboo with other materials such as wood and leather.