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L'Avventura (English: "The Adventure") is a 1960 drama film directed by Michelangelo Antonioni.Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti).
La Notte is considered the central film of a trilogy beginning with L'Avventura (1960) and ending with L'Eclisse (1962). [1] [2] [3] It was one of Stanley Kubrick's 10 favorite films and received 4 votes from critics and 6 votes from directors in the 2012 Sight & Sound greatest films poll.
The film is considered the last part of a trilogy and is preceded by L'Avventura (1960) and La Notte (1961). [3] [4] [5] L'Eclisse won the Special Jury Prize at the 1962 Cannes Film Festival and was nominated for the Palme d'Or. [6] Described by Martin Scorsese as the boldest film in the trilogy, it is one of the director's more acclaimed works.
L'Avventura: Michelangelo Antonioni: Gabriele Ferzetti, Monica Vitti, Lea Massari: Drama: Italian-French co-production [6] [7] Appuntamento a Ischia: Mario Mattoli — — [8] Appuntamento in paradiso — — — [citation needed] Austerlitz: Abel Gance: Pierre Mondy, Rossano Brazzi, Claudia Cardinale: Epic: French-Italian-Yugoslavian co ...
Suicide in plot solution." Revisions earned a B rating, which applied only to prints in the U.S. [10] The Blue Angel (1930), a release of the original German-language version of the film starring Marlene Dietrich. [10] Bullet for Stefano, an Italian import starring Rossano Brazzi [35] Flesh Will Surrender, an Italian import. [35]
Gabriele Ferzetti (born Pasquale Ferzetti; 17 March 1925 – 2 December 2015) was an Italian actor with more than 160 credits across film, television, and stage. [1] His career was at its peak in the 1950s and 1960s.
The plot was inspired by Argentine-French writer Julio Cortázar's 1959 short story "Las babas del diablo", which was later retitled "Blow-Up" to tie in with the film. [5] Set within the contemporary mod subculture of Swinging London , the film follows a fashion photographer (Hemmings) who believes he has unwittingly captured a murder on film.
Aldo Scavarda (born 22 August 1923, date of death unknown) was an Italian cinematographer who collaborated with Michelangelo Antonioni (L'Avventura, 1960), Bernardo Bertolucci (Before the Revolution, 1964), Mauro Bolognini (From a Roman Balcony, 1960), Luigi Comencini (On the Tiger's Back, 1961), Salvatore Samperi, Sergio Sollima, and others.