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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 24 (Grav.Bois) Albrecht Dürer: Complete woodcuts, 094; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 68
The Last Supper is a tempera painting by Greek painter Michael Damaskinos. He painted in Heraklion, Sicily, Venice, and other parts of Italy. His painting of the Last Supper is considered the Greek Last Supper and is comparative to Leonardo da Vinci's masterpiece painted one hundred years prior. The two painters employed different painting ...
The Last Supper mosaic (Vienna). Giacomo Raffaelli (February 2, 1753 - October 11, 1836) was an Italian mosaicist from Rome. He is the author of a copy of Leonardo da Vinci's Last Supper commissioned by Napoleon I. [1] The mosaic resides at Vienna in the Minoritenkirche.
Marcos Zapata (c. 1710–1773), also called Marcos Sapaca Inca, was a Peruvian painter, known for combining Christian stories with indigenous culture. The most famous example being The Last Supper (c.1753), which represents the famous New Testament story, but with the incorporation of Andean foods such as Cuy. [1]
This page was last edited on 2 December 2020, at 03:29 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Albrecht Dürer's woodcut The Last Supper (1523) exemplifies the frontal composition that is customary for this subject. Tintoretto depicted the Last Supper several times during his artistic career. His earlier paintings for the Chiesa di San Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective ...
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