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Costumes and Scripts in the Elizabethan Theatres. Edmonton: University of Alberta Press. ISBN 978-0-88864-226-4. Maclennan, Ian Burns (1994). "If I were a woman": A study of the boy player in the Elizabethan public theatre (PhD thesis). Mann, David Albert (1991). The Elizabethan Player: Contemporary Stage Representation. Routledge Library Editions.
Title page of Sapho and Phao (1584). Sapho and Phao is an Elizabethan era stage play, a comedy written by John Lyly.One of Lyly's earliest dramas, it was likely the first that the playwright devoted to the allegorical idealisation of Queen Elizabeth I that became the predominating feature of Lyly's dramatic canon.
Widely considered Lyly's earliest drama, Campaspe was an influence and a precedent for much that followed in English Renaissance drama, and was, according to F. S. Boas, "the first of the comedies with which John Lyly inaugurated the golden period of the Elizabethan theatre". [1]
Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first ...
Other important figures in Elizabethan theatre include Christopher Marlowe (1564–1593), Thomas Dekker (c. 1572 – 1632), John Fletcher (1579–1625) and Francis Beaumont (1584–1616). Marlowe (1564–1593) was born only a few weeks before Shakespeare and must have known him.
The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre, nude dancing, and acrobatics, to the staging of Plautus's broadly appealing situation comedies, to the high-style, verbally elaborate tragedies of Seneca.
The two great, but very different, dramatic traditions of the age—French neoclassical tragedy and Elizabethan tragedy—both drew inspiration from Seneca. The plays also gained prominence in English-speaking countries, as Senecan drama was some of the first classical work to be translated into English during this period. [19]