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Asyndeton – the deliberate omission of conjunctions that would normally be used. Audience – real, imagined, invoked, or ignored, this concept is at the very center of the intersections of composing and rhetoric. Aureation – the use of Latinate and polysyllabic terms to "heighten" diction.
Formulaic language (previously known as automatic speech or embolalia) is a linguistic term for verbal expressions that are fixed in form, often non-literal in meaning with attitudinal nuances, and closely related to communicative-pragmatic context. [1]
Henry Peacham, for example, in his The Garden of Eloquence (1577), enumerated 184 different figures of speech. Professor Robert DiYanni, in his book Literature: Reading Fiction, Poetry, Drama and the Essay [8] wrote: "Rhetoricians have catalogued more than 250 different figures of speech, expressions or ways of using words in a nonliteral sense."
Aristotle proposed that the form and function of speeches are shaped by the possible speech goals, and classified three different types of speeches to exemplify a range of purposes: forensic, epideictic, and deliberative. [3]
Speech is the vocal form of human communication. Speech or speaking. Spoken language; Discourse; Animal language, forms of animal communication that are considered to show similarities to human language Talking animal or speaking animal, any non-human animal which produces sounds or gestures resembling those of a human
A form of language teaching based on behaviourist psychology. It stresses the following: listening and speaking before reading and writing; activities such as dialogues and drills, formation of good habits and automatic language use through much repetition; use of target language only in the classroom. Popular in the late 1960s in the US.
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
On the other hand, as is the case with any literary or rhetorical effect, excessive use of pleonasm weakens writing and speech; words distract from the content. Writers who want to obfuscate a certain thought may obscure their meaning with excess verbiage. William Strunk Jr. advocated concision in The Elements of Style (1918):