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Dead of Night is a 1945 British supernatural horror anthology film directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden, and Robert Hamer. It stars Mervyn Johns , Googie Withers , Sally Ann Howes , and Michael Redgrave .
Withers was in They Came to a City (1945), directed by Basil Dearden, and was one of several stars in Dead of Night (1945). She was given a star part in Pink String and Sealing Wax (1945). It was well received, and Withers was given the title role in The Loves of Joanna Godden (1947), which was a hit. In the cast was actor John McCallum, whom ...
Title Director Cast Genre Notes 1945: 29 Acacia Avenue: Henry Cass: Gordon Harker, Betty Balfour, Carla Lehmann: Comedy: The Agitator: John Harlow: William Hartnell, Mary Morris, Moore Marriott
This is a non-diffusing subcategory of Category:1945 films. It includes 1945 films that can also be found in the parent category, or in diffusing subcategories of the parent. This category is for horror films released in the year 1945 .
They Came to a City is a 1944 British black-and-white film directed by Basil Dearden and starring John Clements, Googie Withers, Raymond Huntley, Renee Gadd and A. E. Matthews. [1] It was adapted from the 1943 play of the same title by J. B. Priestley , and is notable for including a cameo appearance by Priestley as himself.
Dead of Night is a 1977 American made-for-television anthology horror film starring Ed Begley Jr., Anjanette Comer, Patrick Macnee, Horst Buchholz and Joan Hackett. Directed by Dan Curtis , the film consists of three stories written by Richard Matheson [ 1 ] (although the first segment, "Second Chance", was adapted from a story by Jack Finney ...
Title Director Cast Genre Notes Abbott and Costello in Hollywood: S. Sylvan Simon: Abbott and Costello, Lucille Ball, Rags Ragland: Comedy: MGM: Adventure: Victor Fleming: Clark Gable, Greer Garson, Joan Blondell
The film premiered in London on 3 December 1945 at the Tivoli Cinema on The Strand and the Marble Arch Pavilion. The critic in The Times praised Googie Withers and Gordon Jackson for their roles, and concluded that Robert Hamer, "has made, in spite of occasional lapses and longueurs, a promising beginning as a director." [2]