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In his writings and art criticisms during the mid-1960s art critic and artist Donald Judd claimed that illusionism in painting undermined the artform itself. Judd implied that painting was dead, claiming painting was a lie because it depicted the illusion of three-dimensionality on a flat surface.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Paul Troger (30 October 1698 – 20 July 1762) was an Austrian painter, draughtsman, and printmaker of the late Baroque period. Troger's illusionistic ceiling paintings in fresco are notable for their dramatic vitality of movement and their palette of light colors.
These innovations created surprising and marvelous illusionistic effects, which came to be known as scènes à l'italienne. In his researches on perspective for the sets, he defined the so-called œil du prince ("the eye of the prince"), as the ideal seat in the theatre's audience that affords the best possible perspective on the sets . In a ...
Agostino Mitelli (16 March 1609 – 2 August 1660) was an Italian painter of the Baroque period and best known as a fresco painter of quadratura or illusionistic perspectival architectural frameworks. Model for ceiling at Buen Retiro Palace. He was born in Battedizzo, near Bologna, and died in Madrid while working for the court of Philip IV of ...
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.