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After a heated row, Sally goes on stage singing “Cabaret” (“life is a cabaret, old chum”), thus confirming her decision to live in carefree ignorance of the impending problems in Germany. The version of the song used in the musical includes a verse beginning: "I used to have a girlfriend known as Elsie With whom I shared
New Line Theatre wrote the following analysis on the song and its reprise: [6] The first song in Cabaret, "Willkommen", functions as both a comment song and a book song. It welcomes us both to the Kit Kat Klub where much of the action will take place, and also to Cabaret, the musical.
The first recording of Cabaret was the original Broadway cast album with a number of the songs either truncated (e.g., "Sitting Pretty"/"The Money Song") or outright cut to conserve disk space. [81] When this album was released on compact disc, Kander and Ebb's voice-and-piano recordings of songs cut from the musical were added as bonus ...
Cabaret at the Kit Kat Club is based on John Van Druten’s 1951 play I Am a Camera, which in turn was adapted from the 1939 novel Goodbye to Berlin by Christopher Isherwood.. The show follows ...
The Telegraph explained that the song should have an air of "desperate hope" and that Bowles should feel like "someone teetering on the edge of despair." [5] Talkin' Broadway said " 'Maybe this Time' serving as Sally's internal monologue in response to Cliff's plea", adding that the song "is the only time we see the real person beneath the frivolous girl for whom life is a neverending party ...
Analysis is an activity most often engaged in by musicologists and most often applied to western classical music, although music of non-western cultures and of unnotated oral traditions is also often analysed. An analysis can be conducted on a single piece of music, on a portion or element of a piece or on a collection of pieces.
Sir Donald Francis Tovey's Essays in Musical Analysis [1] [2] are a series of analytical essays on classical music. The essays came into existence as programme notes , written by Tovey, to accompany concerts given (mostly under his own baton) by the Reid Orchestra in Edinburgh .
"La Diva de l'Empire" (The Diva of the Empire) is a French popular song with music by Erik Satie and lyrics by Dominique Bonnaud and Numa Blès , composed in 1904. Along with " Je te veux " (1903) it is probably the best-known example of Satie's cabaret or "café-concert" idiom.