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Jaipongan, also known as jaipong, is a musical performance genre of the Sundanese people in the Sundanese language of West Java, Indonesia. Jaipongan includes revived indigenous arts, like gamelan, but it also does not ignore Western music completely despite the ban on rock and roll. It uses the sensuality found in traditional village music and ...
Among Sundanese dances perhaps Jaipongan is the most popular styles and form. Jaipongan dance could be performed solo by a female dancer, in group of female dancers, as couple between professional female and male dancers, or as couple when professional female dancers invite male audience to dance with them.
Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1] What distinguishes them from the two, Bajidor Kahot dance does not optimize shoulder movement as the Jaipongan and Tap Tilu do. In the dance, hips ...
Javanese dance have somewhat a meditative quality and tends to be more self-reflective, introspective and more oriented toward self-understanding. [2] Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers.
Gugum Gumbira was born in Bandung on April 4, 1945. In 1968, he married Euis Komariah (September 9, 1949 – August 11, 2011), who sang for the Jugala Orchestra. Their daughter, Mira Tejaningrum (born March 4, 1969), is a dancer and choreographer for the Jugala dance troupe. Gugum died on January 4, 2020, at Santosa Hospital in Bandung. [1]
By 2004 the dance was becoming rare, [4] but its popularity increased, such that in 2011 a competition for dancing kebyar duduk and one of Mario's other creations, oleg tamulilingan (1952), was held. Around this time a group of Tabanan residents argued that the dance had shifted far from I Mario's original vision, and began teaching what they ...
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.