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Sully Prudhomme was nominated for the prize by 17 members of the Académie Française, of which Sully Prudhomme himself was a member.In total the Nobel committee received 37 nominations for 26 writers including Frédéric Mistral (five nominations) and Henryk Sienkiewicz (three nominations) who were subsequently both awarded the prize, and the only woman nominated, Malwida von Meysenburg. [3]
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
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René François Armand "Sully" Prudhomme (French: [syli pʁydɔm]; 16 March 1839 – 6 September 1907) was a French poet and essayist. He was the first winner of the Nobel Prize in Literature in 1901 .
Impromptu concertant in G-flat major, for violin and piano (1903) Cantabile et presto, for flute and piano (1904) Allegro de concert, for chromatic harp (1904) Concertstück, for viola and piano (1906) Légende, for trumpet and piano (1906) Au soir, poem for four trumpets (1906) Morceau de déchiffrer, for horn and piano (1908)
The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
The idea of Le Parnasse contemporain began when the poet Louis-Xavier de Ricard was publishing a financially unsuccessful periodical, L'Art. [2] [3] He was advised by his friend and fellow poet Catulle Mendès to turn the weekly L'Art into an annual publication of only poems under the title Le Parnasse Contemporain.