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Cosmetics at department store Farmers Centre Place in Hamilton, New Zealand. The cosmetic industry describes the industry that manufactures and distributes cosmetic products. . These include colour cosmetics, like foundation and mascara, skincare such as moisturisers and cleansers, haircare such as shampoos, conditioners and hair colours, and toiletries such as bubble bath and s
The List of newspapers in Sri Lanka lists every daily and non-daily news publication currently operating in Sri Lanka. The list includes information on whether it is distributed daily or non-daily, and who publishes it.
In Germany, the cosmetic industry generated €12.6 billion of retail sales in 2008, [39] which makes the German cosmetic industry the third largest in the world, after Japan and the United States. German exports of cosmetics reached €5.8 billion in 2008, whereas imports of cosmetics totaled €3 billion.
In 2019, the Brazilian beauty company Natura agreed to buy Avon Products for more than $2bn via a share swap, [37] creating the world's fourth-largest beauty company. [38] Under the deal's terms, Natura will hold 76% of the combined business with over $10 billion in annual revenue. [39] [40] [41]
Apart from that, the movie Soorayangeth Sooraya(English Title:-The River of Love) is a landmark film for the Sri Lankan(Helawood) cinema where a trend of Thriller, Action and Musical films emerged. These commercial movies, although foreign transliterations, discuss the problems of poverty, blind law, injustice & love.
Cosmetology (from Greek κοσμητικός, kosmētikos, "beautifying"; [1] and -λογία, -logia) is the study and application of beauty treatment.Branches of specialty include hairstyling, skin care, cosmetics, manicures/pedicures, non-permanent hair removal such as waxing and sugaring, and permanent hair removal processes such as electrology and intense pulsed light (IPL).
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Toxic Beauty is a 2019 Canadian-American documentary film about exposure to dangerous substances from commonly trusted beauty products such as baby powder. Directed by Phyllis Ellis and produced by White Pine Pictures, the film premiered at the April 2019 Hot Docs Canadian International Documentary Festival .