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"Devil in the Bottle" is a song written by Bobby David and recorded by American country music artist T. G. Sheppard. It was released in October 1974 as his debut single and the first from his album T. G. Sheppard, and reached number one on the U.S. country singles chart.
"Make My Day" is a novelty song recorded by American country music artist T. G. Sheppard featuring Clint Eastwood. It was released in February 1984 as the second single from Sheppard's 1983 album Slow Burn, although it was not included on the album until a 1984 revised release. [1]
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
"Devil in the Bottle" 1 54 — 1 — T.G. Sheppard: 1975 "Tryin' to Beat the Morning Home" 1 95 — 2 — "Another Woman" 14 — — 17 — "Motels and Memories" 7 — [a] — 1 — Motels and Memories: 1976 "Solitary Man" 14 100 29 11 24 Solitary Man "Show Me a Man" 8 — — 13 — "May I Spend Every New Years with You" 37 — — — — Non ...
Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. [8] These chords are similar with slight changes, but are all centered around the same key center.
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Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
The English cadence is a type of full close featuring the blue seventh against the dominant chord [16] which in C would be B ♭ and G-B ♮-D. Measures 1–3 (Play ⓘ) and 41–42 (Play ⓘ) of Debussy's Feuilles Mortes, from his second book of Préludes (1913). The dominant 7 ♯ 9 chord appears in impressionist classical music.