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"Devil in the Bottle" is a song written by Bobby David and recorded by American country music artist T. G. Sheppard. It was released in October 1974 as his debut single and the first from his album T. G. Sheppard, and reached number one on the U.S. country singles chart.
For instance, the above-mentioned C major scale contains the tritones F–B (from F to the B above it, also called augmented fourth) and B–F (from B to the F above it, also called diminished fifth, semidiapente, or semitritonus); [2] the latter is decomposed as a semitone B–C, a whole tone C–D, a whole tone D–E, and a semitone E–F ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality ... 0 3 6 e: Diminished Diminished seventh chord (leading-tone and secondary chord)
For example, the E–G ♯ –c–e–g ♯ –c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation; [73] This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B–F–B–F–B–F augmented-fourths ...
A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz , particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means that they usually support a melody originally designed for the tonic (I) chord.
The G major chord and the E minor chord in the key of C major are called parallel chords in the Riemann system. — [ 7 ] The tonic, subdominant, and dominant chords, in root position, each followed by its parallel.