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The Ashta-Nayika have been illustrated in Indian painting, literature, sculpture as well as Indian classical dance, such as Kathak. [ 4 ] [ 5 ] [ 6 ] Notable medieval paintings that depict the Ashta nayika are the Ragamala paintings , as those from the Bundi school of painting.
Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
A pair of ghungroos Kathak dancer Namrata Rai performing with 400 Ghungroos. A ghungroo (Hindi: घुँघरू, Urdu: گھنگرو), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together to form ghungroos, a musical ...
From the Natya Shastra, a text on the arts, this quotation and translation is often quoted by Indian classical dance instructors: "Yato hastastato drishtihi"..."Where the hand is, the eyes follow" "Yato drishtistato manaha"..."Where the eyes go, the mind follows" "Yato manastato bhavaha"..."Where the mind is, there is the feeling"
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The term is derived from the Hindi word padhna, meaning "to read, study or recite". [2] Padhant is closely associated with the percussion instrument tabla and the classical dance Kathak , and the recitation of rhythmic patterns before playing them is considered an art in itself. [ 3 ]
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.