Search results
Results From The WOW.Com Content Network
(in German) Gottfried Heinrich Stoelzel (1690–1749) (Gottfried Heinrich Stoelzel (1690–1749) at the Wayback Machine (archived 19 September 2016)) = www.stoelzel.net (in German) Gottfried Heinrich Stoelzel (Gottfried Heinrich Stoelzel at the Wayback Machine (archived 16 June 2016)) – Biography, Ruhr-Universität Bochum
H. WK A 1,2: Glücklicher Zustand anmuthiges Leben [209] H. WK A 2: Alles Vergnügen auf einmal geneßen, for the birthday of Günther I (Sondershausen 24 August 1737) [210] H. WK A 3: Entweicht ihr ungebethnen Sorgen, for the birthday of Elisabeth Albertine (Sondershausen 11 April 1738) [211]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
First page of Gottfried Heinrich Stölzel's Ein Lämmlein geht und trägt die Schuld, from a score preserved in Berlin. [1]Ein Lämmlein geht und trägt die Schuld, also known by the title of its earliest extant printed libretto, Die leidende und am Creutz sterbende Liebe Jesu, is a Passion oratorio by Gottfried Heinrich Stölzel, composed in 1720.
Heinrich David Stölzel (7 September 1777 – 16 February 1844) was a German horn player who developed some of the first valves for brass instruments. He developed the first valve for a brass musical instrument , the Stölzel valve, in 1818, and went on to develop various other designs, some jointly with other inventor musicians.
Paul Gerhardt's "Ein Lämmlein geht und trägt die Schuld" was first published in 1647, in a lost edition of Johann Crüger's Praxis Pietatis Melica. [2] The earliest extant print of the hymn, in the Praxis Pietatis Melica of 1648, indicates Wolfgang Dachstein's 16th-century "An Wasserflüssen Babylon" melody as its singing tune: [3]
They had 13 children, of whom Johann Christoph Friedrich (the "Bückeburg Bach") and Johann Christian (the "London Bach") became significant musicians. A further four survived into adulthood: Gottfried Heinrich ; Elisabeth Juliane Friederica (1726–1781), who married Bach's pupil Johann Christoph Altnickol ; Johanna Carolina (1737–1781); and ...
The 1911 Encyclopædia Britannica says of him "He was an industrious composer, ... whose work reflects no discredit on the family name." He was an outstanding virtuoso of the keyboard, with a reasonably wide repertory of surviving works, including twenty symphonies, the later ones influenced by Haydn and Mozart; hardly a genre of vocal music was neglected by him.