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Like most fiddle tunes, "Blackberry Blossom" has an A part and a B part. In Arthur Smith's 1935 version, the A part is in the key of G major, with C and D chords in the second half of the part; the B part introduces an E major chord, making for a rather unusual mood shift.
Sheet music for Yew Piney Mountain here; The Digital Library of Appalachia provides online access to archival and historical materials related to the culture of the southern and central Appalachian region. The contents of the DLA are drawn from special collections of Appalachian College Association member libraries. Hawks and Owls Stringband ...
Cluck Old Hen" (Roud 4235), also known by variants like "Cacklin' Hen" is a popular Appalachian fiddle and banjo tune [1] in the mixolydian or dorian mode (as in the score below which is in A dorian). It is played either as an instrumental or with lyrics, which vary from one version to another.
Bill Hensley, Mountain Fiddler, Asheville, North Carolina. Old time (also spelled old-time or oldtime) fiddle is the style of American fiddling found in old-time music.Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka.
Vivian Williams (née Tomlinson; May 27, 1938 – January 6, 2023) was an American fiddler, composer, recording artist, and writer. [1] [2] She won national fiddling titles, including the National Oldtime Fiddlers Contest, and in 2013 she was inducted into the North American Old Time Fiddlers Hall of Fame.
The Hardanger fiddle books were published between 1958 and 1981. The editors were all traditional fiddlers who were well acquainted with the music in question. The three of them, Arne Bjørndal, Truls Ørpen and Eivind Groven, had all collected fiddle tunes in their areas, and were now asked to put their collections into print. As work ...
Rock fiddle, like rock music in general, owes much to American blues. Incorporation of fiddle or violin into rock, as with jazz, has been a slow process, resisted by some critics as an"unlikeliest and perverse misuse of an instrument". [7]
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. The more predominant style in Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. [1]