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This category is for War artists whose main topical focus was the first World War. Many of these artists were official artists for their respective governments, but some have produced work post-War. Contents
British Artists and War: The Face of Battle in Paintings and Prints, 1700–1914. (London: Greenhill, 1993). ISBN 1-85367-157-6; Haycock, David Boyd. "A Crisis of Brilliance: Five Young British Artists and the Great War". (London: Old Street Publishing). Hichberger, J.W.M. (1988). Images of the Army: The Military in British Art 1815–1914 ...
The Doctor (1916) (Art.IWM ART 725). At the outbreak of World War I, Nevinson joined the Friends' Ambulance Unit, which his father had helped to found.From 13 November 1914, Nevinson spent nine weeks in France with the FAU and the British Red Cross Society, mostly working at a disused goods shed by Dunkirk rail station known as the Shambles.
The U.S. Army War Art Unit was established in late 1942; and by the spring of 1943, 42 artists were selected. In May 1943, Congress withdrew funding the unit was inactivated. [3] The Army's Vietnam Combat Art Program was started in 1966. Teams of soldier-artists created pictorial accounts and interpretations for the annals of army military history.
German official war artists were commissioned by the military to create artwork in the context of a specific war. [1]Official war artists have been appointed by governments for information or propaganda purposes and to record events on the battlefield; [2] but there are many other types of artists depicting the subject or events of war.
Spring in the Trenches, Ridge Wood, 1917 by Paul Nash.Nash was a war artist in both World War I and World War II. A war artist is an artist either commissioned by a government or publication, or self-motivated, to document first-hand experience of war in any form of illustrative or depictive record.
Pages in category "English war artists" The following 98 pages are in this category, out of 98 total. This list may not reflect recent changes. A. Mary Adshead;
Some have argued that centrally placed shepherd figure resembles the artist. [6] As he did with other aspects of Pippin's career, his dealer Robert Carlen took credit for exposing the artist to Hicks' series as he was a principal advocate for both autodidacts. [5] Horace Pippin, Crucifixion, 1943. Menil Collection.