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In Crime and Punishment, Dostoevsky fuses the personality of his main character, Rodion Romanovich Raskolnikov, with his new anti-radical ideological themes. The main plot involves a murder as the result of "ideological intoxication," and depicts all the disastrous moral and psychological consequences that result from the murder.
Woody Allen's 2005 British psychological thriller Match Point is partly intended as a debate with Crime and Punishment: protagonist Chris Wilton (Jonathan Rhys Meyers) is seen early on reading the book and identifying with Raskolnikov, and ultimately murders two people, a crime for which he narrowly escapes justice. [2]
Crime and Punishment: Fyodor Dostoevsky: 1866 [14] Huckleberry Finn: Adventures of Huckleberry Finn: Mark Twain: 1884 [15] [16] Stephen Dedalus: A Portrait of the Artist as a Young Man Ulysses: James Joyce: 1916 1922 [17] Jay Gatsby: The Great Gatsby: F. Scott Fitzgerald: 1925 [9] Quentin Compson: The Sound and the Fury: William Faulkner: 1929 ...
Other aspects of the genre can be found in Crime and Punishment, for example the dark and dirty rooms and Raskolnikov's Mephistophelian character, and in the descriptions of Nastasia Filippovna in The Idiot and Katerina Ivanovna in The Brothers Karamazov. [14] Dostoyevsky's use of space and time were analysed by philologist Vladimir Toporov.
The film is a debate with Fyodor Dostoevsky's Crime and Punishment, which Wilton is seen reading early on, identifying him with the anti-hero Raskolnikov. [10] That character is a brooding loner who kills two women to prove that he is a superior being, but is racked by guilt and is finally redeemed by confession of his crime, the love of a ...
Crime and Punishment (Japanese: 罪と罰, Hepburn: Tsumi To Batsu) is a manga by Osamu Tezuka, based on Fyodor Dostoevsky's book Crime and Punishment that was published in 1953. In 1990 The Japan Times published a bilingual edition featuring an English translation by Frederik Schodt in Student Times .
Crime and Punishment is a 1935 American drama film directed by Josef von Sternberg for Columbia Pictures. [1] The screenplay was adapted by Joseph Anthony and S.K. Lauren from Fyodor Dostoevsky 's 1866 novel of the same title .
The locked room mystery is a subgenre of detective fiction in which a crime—almost always murder—is committed under circumstances which it was seemingly impossible for the perpetrator to commit the crime and/or evade detection in the course of getting in and out of the crime scene. The genre was established in the 19th century.