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Thousands of counterfeit Gibson electric guitars were seized at the Los Angeles-Long Beach Seaport, according to U.S. Customs and Border Protection. Federal authorities seize 3,000 fake Gibson ...
U.S. Customs and Border Protection (CBP) said Tuesday that $18 million in fake Gibson guitars were seized in California, which the agency called the “largest counterfeit musical instrument ...
Through the 1990s Gibson was moving to expand and diversify its brands, and by the late 1990s they had decided to acquire the "Valley Arts" name as an outgrowth of the Gibson Custom Shop. In late 2002 Valley Arts reopened as a music store, repair facility and small manufacturer specializing in custom guitars in downtown Nashville. [2]
Chicago Musical Instruments Co. (CMI), later known as Norlin Music, was a manufacturer and distributor of musical instruments, accessories, and equipment, which at times had controlling interests in Gibson Guitars (1944 to 1969), Standel, Lowrey, F. E. Olds & Son (brass instruments), William Lewis & Son Co. (stringed instruments), Krauth & Beninghoften, L.D. Heater Music Company, [1] Epiphone ...
Kalamazoo is the name for two different lines of instruments produced by Gibson.In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
Montgomery Ward was the first to offer them for sale, as the 1270 model. It had Gibson's bar pickup (though with rounded bobbins, as opposed to the hexagonal pickup Gibson later installed on its own factory models), and a volume control (no tone control); like Spiegel's 34-S model (first advertised in 1937) it lacked any Gibson identification.
In 1990, Gibson Guitar Corporation purchased Tobias and moved production to Nashville. The first Tobias bass under Gibson ownership bore the serial number 1094. Michael Tobias left the company in 1992 to found Michael Tobias Design which produces a line of hand-made basses similar in spirit to the older Tobias basses. Basses below the serial ...
Bigsby was inspired to create a new vibrato system after being tasked by Merle Travis to repair the Kauffman Vibrola on his Gibson L-10. [2] The Bigsby system would debut in 1951, [2] with the first example going to Travis. [3] By the mid-1950s, Bigsby had ceased production of his own guitars and began only producing a range of vibrato ...