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Woman with Umbrella in Front of a Hat Shop is an oil-on-canvas painting executed in 1914 by the German painter August Macke. It depicts a woman peeking into a hat shop, painted in an Expressionist style. The painting is in the collection of the Museum Folkwang in Essen. [1] [2]
Woman with a Parasol – Madame Monet and Her Son, sometimes known as The Stroll (French: La Promenade) is an oil-on-canvas painting by Claude Monet from 1875. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period from 1871 to 1877 while they were living in Argenteuil, capturing a moment on a stroll on a windy summer's day.
A later painting, Woman with Parasol Seated in the Garden (1872), features Lise seated, modeling a similar dress with a red sash, hat, and parasol. [66] Lise with a Parasol was the first of Renoir's paintings to feature a human figure with light filtering through plant leaves from above.
List of paintings by Claude Monet; National Gallery of Art; Normandy; Oil painting; Umbrella; Woman with a Parasol – Madame Monet and Her Son; User:Ashleyynm/sandbox; User:DMT Biscuit; User:Hafspajen/ Preliminary Signpost to work on, in the main while; User:Jane023/Paintings in the National Gallery of Art; User talk:Anna Frodesiak/archive27 ...
Three Women with Parasols (French: Trois femmes aux ombrelles), also known as The Three Graces, is an 1880 oil-on-canvas painting by French artist Marie Bracquemond. The painting depicts three women wearing the then fashionable style of ruffled dresses with high bodices. [1] The woman in the middle holds a fan in the popular style of Japonisme ...
Claude Monet, The Woman with a Parasol, 1886. Suzanne Hoschedé posed for this and many other paintings by Monet. Suzanne Hoschedé (April 29, 1868–February 6, 1899) was one of the daughters of Alice Hoschedé and Ernest Hoschedé, the stepdaughter and favorite model of French impressionist painter Claude Monet, and wife of American impressionist painter Theodore Earl Butler. [1]
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Renoir began the painting in about 1880–81, using the loose brushwork with dark and bright tones typical of the Impressionist movement. In about 1885, after losing his attachment to Impressionism and drawing inspiration from classical art he had seen in Italy and the works of Ingres and Cézanne, he reworked parts of the painting, particularly the principal female figure to the left of the ...