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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below. See as well Régence, Louis XV of France, Palace of Versailles. Antoine Watteau (1684–1721) painter
The expressions of famous artists of the modern era are remarkable, and they tell the story of a culture that has grown ever more intriguing, colorful, and complex. #21 Ai Weiwei (August 28, 1957 ...
Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great admirer of his work. [10] Marquise de Pompadour is often referred to as the "godmother of Rococo" [ 10 ] and Boucher's portraits were central to her self-presentation and cultivation of her image.
Finally, it is worth mentioning an artist outside the Symbolist movement but whose style has a certain link with it: Henri Rousseau, maximum representative of the so-called Naïve art, a term applied to a series of self-taught painters who developed a spontaneous style, alien to the technical and aesthetic principles of traditional painting ...
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.