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He emphasised that Shakespeare was capable of both brilliance and banality, a point made humorously in his late puppet play Shakes versus Shav, in which he compares Shakespeare's work to his own. He unequivocally asserted that Shakespeare was a great poet, even calling him "a very great author" at one point, and praised his use of what Shaw ...
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters.
The word has been used by adherents of the Baconian theory who believe Shakespeare's plays were written in steganographic cypher by Francis Bacon.In 1905 Isaac Hull Platt argued that it was an anagram for hi ludi, F. Baconis nati, tuiti orbi, Latin for "these plays, F. Bacon's offspring, are preserved for the world".
Costard makes many clever puns, and is used as a tool by Shakespeare to explain new words such as remuneration. He is sometimes considered one of the smartest characters in the play due to his wit and wordplay. Costard's name is an archaic term for apple, or metaphorically a man's head. [1] Shakespeare uses the word in this sense in Richard III ...
A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms, sometimes simply as lists of synonyms and antonyms.
Synonyms with exactly the same meaning share a seme or denotational sememe, whereas those with inexactly similar meanings share a broader denotational or connotational sememe and thus overlap within a semantic field. The former are sometimes called cognitive synonyms and the latter, near-synonyms, [3] plesionyms [4] or poecilonyms. [5]
In popular culture, the anthropophagus is sometimes depicted as a being without a head, but instead have their faces on the torso.This may be a misinterpretation based on Shakespeare's writings in Othello, where the anthropophagi are mistaken to be described by the immediate following line, "and men whose heads do grow beneath their shoulders".
Although Shakespeare's audiences were probably not familiar with the origin of the word, the related French word petarade was in common use in English by the 17th century meaning "gun shot of farting" making it appear likely that the double meaning was intended by Shakespeare as a joke.