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Rabid is a 1977 independent body horror film written and directed by David Cronenberg. An international co-production of Canada and the United States, the film stars Marilyn Chambers in the lead role, supported by Frank Moore , Joe Silver , and Howard Ryshpan .
Rabid premiered at the London FrightFest Film Festival on August 26, 2019. [1] [10] Rabid held its US premiere on October 15, 2019, at Screamfest Horror Film Festival in Los Angeles. [11] The film was released theatrically, digitally, and on video on demand on December 13, 2019, by Shout! Studios. [12] Release on DVD and Blu-Ray was on February ...
Cujo, a friendly and easygoing St. Bernard, chases a wild rabbit and inserts his head into a cave, where a rabid bat bites him on the nose. The Trenton family—advertising executive Vic, housewife Donna, and young son Tad—take their car to the rural home of abusive mechanic Joe Camber for repairs, where they meet Cujo, the Camber family's pet, and get along well with him.
Shivers, also known as The Parasite Murders and They Came from Within, and, for Canadian distribution in French, Frissons (IPA: / f r iː ˈ s oʊ n / free-SOHN; 'chills' or 'shivers'), is a 1975 Canadian science fiction body horror film written and directed by David Cronenberg and starring Paul Hampton, Lynn Lowry, and Barbara Steele.
The Brood is a 1979 Canadian psychological body horror film written and directed by David Cronenberg and starring Oliver Reed, Samantha Eggar, and Art Hindle.Its plot follows a man and his mentally ill ex-wife, who has been sequestered by a psychiatrist known for his controversial therapy techniques.
Cujo (/ ˈ k uː dʒ oʊ /) is a 1981 horror novel by American writer Stephen King about a rabid Saint Bernard.The novel won the British Fantasy Award in 1982 [1] and was made into a film in 1983.
The cast of 28 Years Later is seriously stacked, though little has been revealed about the characters that most of the stars play. What we know so far: What we know so far: Cillian Murphy as Jim
Entertainment Weekly reviewer Lisa Schwarzbaum gave the film an A, concluding that "David Cronenberg's brilliant movie" was "without a doubt one of the very best of the year". [23] Manohla Dargis of The New York Times called the film a "mindblower", and noted Cronenberg's "refusal to let us indulge in movie violence without paying a price". [24]