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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
allegro Cheerful or brisk; but commonly interpreted as lively, fast all'ottava "at the octave", see ottava alt (Eng.), alt dom, or altered dominant A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
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The Piano Sonata No. 16 in C major, K. 545, by Wolfgang Amadeus Mozart was described by Mozart in his own thematic catalogue as "for beginners", and it is very commonly known by the nickname Sonata facile or Sonata semplice. [1] Mozart added the work to his catalogue on June 26, 1788, the same date as his Symphony No. 39. The exact ...
Allegro molto, quasi presto (G major) Of the Op. 18 string quartets , this one is the most grounded in 18th-century musical tradition. [ 1 ] According to Michael Steinberg , "In German-speaking countries, the graceful curve of the first violin's opening phrase has earned the work the nickname of Komplimentier-Quartett , which might be ...
Allegro moderato, in A minor, 2 4 meter; The opening movement is in ritornello form. This means that there is a main section that comes back in fragments in both the solo violin and orchestral parts. This 'ritornello' can be found in the first movement up until bar 24.
Introduction and Allegro was composed in a neo-resurrected form of the Baroque concerto grosso. [4] However, such solos are not confined solely to the solo quartet, but rather are distributed ever so often among the accompanying orchestra, such as at the first transition entering the Allegro.