Ads
related to: unidirectional microphone vs omni directory
Search results
Results From The WOW.Com Content Network
University Sound US664A dynamic supercardioid microphone. The most common unidirectional microphone is a cardioid microphone, so named because the sensitivity pattern is "heart-shaped" (i.e. a cardioid). The cardioid family of microphones are commonly used as vocal or speech microphones since they are good at rejecting sounds from other directions.
When concealing the mic is important, such as with film production, a smaller housing may be desirable. Sanken's CUB-01 boundary microphone has a 32 mm diameter and 12 mm height, which makes it easier to hide in TV and film field shooting and easier to reposition or temporarily mount in locations (e.g. taping it onto the inside ceiling of a car).
The output impedance is user-selectable; factory preset at 250 ohms, and changeable to 30 or 150 ohms. The microphone has a fairly flat response. In the cardioid (unidirectional) pattern, it is level from approximately 150 Hz to 2 kHz, with a slight rise peaking at just under 5 kHz, then dropping approximately 3 dB/octave to 20 kHz. [5]
The Unidyne's instant and lasting success has been attributed by its manufacturer as stemming from the fact that, "It was the first high-quality unidirectional microphone that was affordable and reduced audio issues such as background noise, feedback and excessive reverberation." [7] On Jan 31, 2014, the Unidyne microphone was granted the IEEE ...
Typically, an array is made up of omnidirectional microphones, directional microphones, or a mix of omnidirectional and directional microphones distributed about the perimeter of a space, linked to a computer that records and interprets the results into a coherent form. Arrays may also be formed using numbers of very closely spaced microphones.
The internal electronic circuitry of an active noise-canceling mic attempts to subtract noise signal from the primary microphone. The circuit may employ passive or active noise canceling techniques to filter out the noise, producing an output signal that has a lower noise floor and a higher signal-to-noise ratio .
Proximity effect can be viewed in two ways. In some settings, sound engineers may view it as undesirable, and so the type of microphone or microphone practice may be chosen in order to reduce the proximity effect. On the other hand, some microphone users seek to intentionally use the proximity effect, such as beat boxing singers in hip hop music.
Noise-cancelling microphones can assist in this, but do not substitute for proper mic placement and gain settings. If you use a headset boom microphone, be aware that lower-cost models have omni-directional elements that will pick up background noise. Models with uni-directional or noise-cancelling elements are best.