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The 1950s was a pivotal era in music, laying the groundwork for the rock and roll songs of the 1960s and the rebellious tunes of the 1970s. The decade's musical landscape was diverse, spanning ...
Rock and roll has also been seen as leading to a number of distinct subgenres, including rockabilly (see below) in the 1950s, combining rock and roll with "hillbilly" country music, which was usually played and recorded in the mid-1950s by white singers such as Carl Perkins, Jerry Lee Lewis, Buddy Holly and with the greatest commercial success ...
Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. [1] [2] It originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel, and jump blues, [3] as well as country music. [4]
Patti Page was the artist with second-longest most cumulative run at number one (22 weeks) between January 1950 until August 1958. Perry Como remained at the top of the Billboard number-one singles chart for 20 weeks between January 1950 until August 1958.
Rock and roll has also been seen as leading to a number of distinct subgenres, including rockabilly (see below) in the 1950s, combining rock and roll with "hillbilly" country music, which was usually played and recorded in the mid-1950s by white singers such as Carl Perkins, Jerry Lee Lewis, Buddy Holly and with the greatest commercial success ...
"Music, Music, Music" Teresa Brewer: 7 "Third Man Theme" Guy Lombardo: 8 "Chattanoogie Shoe Shine Boy" Red Foley: 9 "Harbor Lights" Sammy Kaye: 10 "It Isn't Fair" Sammy Kaye & Don Cornell: 11 "If I Knew You Were Coming I'd have Baked a Cake" Eileen Barton with Morty Craft: 12 "Bonaparte's Retreat" Kay Starr with Lou Busch: 13 "Tzena, Tzena ...
With this song, Cochran was established as one of the most important influences on rock and roll in the 1950s, both lyrically and musically. The song, released by Liberty recording no. 55144, charted at number 8 in 1958.
Joe Loss and his Orchestra recorded a version in London on 6 March 1950. It was released by EMI on the His Master's Voice label as catalogue numbers BD 6065, IM 1476 and HE 2793. Peggy Lee included the song on her 1958 album Jump for Joy .