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Weekend end date Film Total weekend gross Notes Ref; 1: January 8, 1995: Dumb and Dumber: $9,177,151 [2]2: January 16, 1995 4-day weekend: Legends of the Fall: $14,038,128: Legends of the Fall reached number one in its first weekend of wide release and fourth overall week.
Opening Title Production company Cast and crew Ref. J A N U A R Y: 6 Houseguest: Hollywood Pictures / Caravan Pictures: Randall Miller (director); Michael J. Di Gaetano, Lawrence Gay (screenplay); Sinbad, Phil Hartman, Kim Greist, Kim Murphy, Chauncey Leopardi, Talia Seider, Paul Ben-Victor, Tony Longo, Jeffrey Jones, Stan Shaw, Ron Glass, Kevin Jordan, Mason Adams, Patricia Fraser, Don ...
List of 1995 box office number-one films in the United States This page was last edited on 16 February 2019, at 06:26 (UTC). Text is available under the Creative ...
The theatrical box office of 1994 achieved record grosses, with nine films earning more than $100 million and the highest attendance (1.29 billion) since 1960 (1.3 billion). By 1995, however, the average cost of making and marketing a film had doubled since 1990, reaching $50.4 million, making turning a profit more difficult.
All were first-time Oscar winners, and Costner, Eastwood, Spielberg and Gibson had numerous box office hits in their résumés. Spielberg picked up his second directing Oscar in 1998 for "Saving ...
The Marvel Cinematic Universe has had four films atop the yearly U.S. box office: The Avengers (2012), Black Panther (2018), Avengers: Endgame (2019), and Spider-Man: No Way Home (2021). No Way Home also gave the Spider-Man film franchise its third leading film.
(Top) 1 Lists. 2 See also. ... The following are lists of films which have been placed number one at the weekend box office in a region. See 2025 for the current year ...
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...