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The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
Louis Henry Sullivan (September 3, 1856 – April 14, 1924) [1] was an American architect, and has been called a "father of skyscrapers" [2] and "father of modernism". [3] He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School.
The architectural form is influenced by the building's purpose, so frequently "form follows function". However, in many cases it is impossible to predict that proper spatial allocation for the future function and, in the real world, the buildings are often more durable than the need for their original function.
In 1896, Chicago architect Louis Sullivan coined the phrase Form follows function. However, this aphorism does not relate to a contemporary understanding of the term 'function' as utility or the satisfaction of user needs; it was instead based in metaphysics, as the expression of organic essence and could be paraphrased as meaning 'destiny'. [3]
A form is defined by its function ("form follows function"). For building to be "good", it should fulfill the functional requirements imposed by external physical, social, and symbolic needs (for example, a theater should have unobstructed view of the stage from the spectators' seats).
The term "organic architecture" was coined by Frank Lloyd Wright (1867–1959); it was a continuation of the principles of his master, Louis Sullivan, whose slogan "form follows function" became contemporary architecture's watchwords. Wright altered the statement to "form and function are one," citing nature as the clearest illustration of such ...
A Form is an objective "blueprint" of perfection. [19] The Forms are perfect and unchanging representations of objects and qualities. For example, the Form of beauty or the Form of a triangle. For the form of a triangle say there is a triangle drawn on a blackboard. A triangle is a polygon with 3 sides.
In 1989, she wrote the chapter "FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design", which Lees-Maffei describes as "an extremely influential follow-up" to a 1986 article by Cheryl Buckley. She also co-edited A View from the Interior: Feminism, Women And Design with Pat Kirkham (1989) and wrote on gendered dolls. [1]