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Allright on the Night is the fourth album by the British hard rock band Tucky Buzzard. It was released on Deep Purple's record label "Purple Records", and was produced by The Rolling Stones' bass player Bill Wyman. The album artwork is a picture of vocalist Jimmy Henderson sitting in front of a painted pub wall. [1] [2] [3] [4]
Their music blended disco beats with rhythms from genres including calypso, rhumba, cha-cha-chá, and compas. The Browders, who were both multiracial, wrote songs embracing multiculturalism over stories about tragic mulattoes. [3] A smaller lineup known as Dr. Buzzard's Savannah Band (omitting the word "original") also released a fourth album ...
Dr. Buzzard's Original Savannah Band Meets King Penett is the second studio album by Dr. Buzzard's Original Savannah Band. [ 1 ] [ 2 ] It was released in 1978 by RCA Records . It peaked at number 36 on the Billboard 200 chart and number 23 on the Top R&B Albums chart.
Dr. Buzzard's Original Savannah Band Goes to Washington is the third studio album by Dr. Buzzard's Original Savannah Band. [6] It was the last album recorded by the original line-up. The album was a commercial failure, not making the top 100 on either the Pop or the R&B chart.
Dr. Buzzard's Original Savannah Band is the debut studio album by Dr. Buzzard's Original Savannah Band. It was released in 1976 by RCA . It peaked at number 22 on the Billboard 200 chart and number 31 on the Top R&B Albums chart.
Kid Creole & The Coconuts: Anthology Vols. 1 & 2 (Rainman Records/RED, 2009) (Compilation of remixed and/or re-imagined Kid Creole and Dr. Buzzard's Original Savannah Band selections) Nothin' Left But The Rest (2C2C, 2021) (Reissue of August Darnell's 1996 solo album The Kid and I, with bonus tracks. This compilation was issued under the Kid ...
In 1979, Darnell left Dr. Buzzard's Original Savannah Band. He joined the band Machine, and co-wrote their best known song "There But for the Grace of God Go I". [6] [7] He also began producing for other artists, such as Don Armando's Second Avenue Rhumba Band and Gichy Dan's Beachwood No.9, [3] before adopting the name Kid Creole (adapted from the Elvis Presley film King Creole) in 1980.
The King Cole Trio recorded the song, along with "Gee, Baby, Ain't I Good to You", "If You Can’t Smile and Say Yes" and "Jumpin' at Capitol", for Capitol Records during a three-hour recording session at C.P. MacGregor Studios in Hollywood on November 30, 1943, with Johnny Mercer producing and John Palladino engineering the session.