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The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
Donatello certainly made drawings, probably especially for reliefs. In the case of his stained glass designs and perhaps other works these were his whole contribution. Vasari claimed to have several in his collection, which he praised highly: "I have both nude and draped figures, various animals which astound anyone who sees them, and other ...
Erasmo da Narni (Gattamelata) sits high on his horse, looking out to the distance. The emotion on his face is serious. Donatello portrays Gattamelata as a composed, alert and watchful leader. The depiction of force of character and the reference to the power of real people flows with the Renaissance themes of individualism and humanism.
On the other hand, Donatello is considered a great expert in children's themes, especially in the expression of the joy of children (tribunes of the cathedrals of Florence and Prato). In round sculpture Donatello spread the Renaissance portrait of the bust cut horizontally across the chest and not on pedestal (as was customary in Roman sculpture).
Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s.. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena. [1]
Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...
The figure's wings are those of a cupid (a putto or Eros), while the leggings uncovering the buttocks and pubis are those of Attis.Other proposals for its identity are Perseus, Priapus, Mercury (according to Muntz), Harpocrates, a faun (according to Venturi), Cupid-Hercules, Mithras, Eros-Patheos, a personification of drunkenness, a child genius or a half-demon half-angel child spirit. [3]
In 1408, the Operai del Duomo commissioned the statue. [3] At the time, Donatello was twenty-two [4] and had been active in the workshop of Lorenzo Ghiberti. [5] Donatello's earliest known important commission, the marble David statue was to be placed on the tribune of the dome at one of the buttresses on the north side of Florence Cathedral. [6]