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In a Guitar World article, lead guitarist Billy Gibbons said that he used a Marshall Major amplifier and a Maestro ring modulator on this song, and that the amplifier had a blown tube during recording which added to the tonal character of the song. [3] The Marshall Major is a slightly taller, 200-watt version of the classic Marshall 100-watt head.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
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The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
Category 4 hurricane (major): 130-156 mphCatastrophic damage will occur: Well-built framed homes can sustain severe damage with loss of most of the roof structure and/or some exterior walls. Most ...
The classic Marshall Stack consists of one head containing the actual amplifier, on top of two stacked 4×12s, which are loudspeaker cabinets each containing four 12-inch loudspeakers arranged in a square layout. The top cabinet has the top two loudspeakers angled slightly upwards, giving the Marshall stack a distinctive appearance.