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The sensitivity of a microphone is usually expressed as the sound field strength in decibels (dB) relative to 1 V/Pa (Pa = N/m 2) or as the transfer factor in millivolts per pascal (mV/Pa) into an open circuit or into a 1 kiloohm load. [citation needed] The sensitivity of a loudspeaker is usually expressed as dB / 2.83 V RMS at 1 metre.
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In a classification task, the precision for a class is the number of true positives (i.e. the number of items correctly labelled as belonging to the positive class) divided by the total number of elements labelled as belonging to the positive class (i.e. the sum of true positives and false positives, which are items incorrectly labelled as belonging to the class).
A sensitivity guarantees that the distance from the critical point to the Nyquist curve is always greater than and the Nyquist curve of the loop transfer function is always outside a circle around the critical point + with the radius , known as the sensitivity circle.
Therefore, the choice of method of sensitivity analysis is typically dictated by a number of problem constraints, settings or challenges. Some of the most common are: Computational expense: Sensitivity analysis is almost always performed by running the model a (possibly large) number of times, i.e. a sampling-based approach. [8]
The 'worst-case' sensitivity or specificity must be calculated in order to avoid reliance on experiments with few results. For example, a particular test may easily show 100% sensitivity if tested against the gold standard four times, but a single additional test against the gold standard that gave a poor result would imply a sensitivity of ...
Reinforcement sensitivity theory (RST) proposes three brain-behavioral systems that underlie individual differences in sensitivity to reward, punishment, and motivation. While not originally defined as a theory of personality , the RST has been used to study and predict anxiety , impulsivity , and extraversion . [ 1 ]
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.