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96. " Through a Glass, Darkly " is a poem by American general George S. Patton, which explores Patton's strong beliefs in Christianity and reincarnation through stories of his previous lives and deaths in combat during historic battles. [1] Patton questions whether he may have participated in the Crucifixion of Jesus, imagines previous lives as ...
Christ healing the paralytic at Capernaum by Bernhard Rode 1780. Healing the paralytic at Capernaum is one of the miracles of Jesus in the synoptic Gospels (Matthew 9:1 – 8, Mark 2:1–12, and Luke 5:17–26). [1][2][3][4] Jesus was living in Capernaum and teaching the people there, and on one occasion the people gathered in such large ...
765 in LSB. 546 in LW. 65 in WR. " God Moves in a Mysterious Way " is a Christian hymn, written in 1773 by the 18th-century English poet William Cowper. It was written by Cowper in 1773 as a poem entitled "Light Shining out of Darkness". [1] The poem was the last hymn text that Cowper wrote. It was written following his attempted suicide while ...
Invictus. Portrait of William Ernest Henley by Leslie Ward, published in Vanity Fair, 26 November 1892. " Invictus " is a short poem by the Victorian era British poet William Ernest Henley (1849–1903). Henley wrote it in 1875, and in 1888 he published it in his first volume of poems, Book of Verses, in the section titled "Life and Death ...
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
The poem's structure was heavily influenced by Eliot's extensive reading of Dante Alighieri [4] and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night, and Hamlet; the poetry of 17th-century metaphysical poet Andrew Marvell; and the 19th-century French ...
The poem is set up with the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (ll. 1–27), the second part (ll. 28–121) and the third part (ll. 122–156). [1] In section one, the narrator has a vision of the Cross.
The Bible in the vernacular; 2. Il Fioretto della Bibbia (a translation of a medieval Catalan chronicle compiled from various sources) 3. Il Lucidario della Madonna, by the Dominican Albert da Castello; 4. Il Lucendario de santi, by Jacopo da Voragine (see Golden Legend) 5. Historia del giudicio (anonymous fifteenth-century poem) 6.