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Dreamwork is the exploration of the images and emotions that a dream presents and evokes. It differs from classical dream interpretation in that it does not attempt to establish a unique meaning for the dream. In this way the dream remains "alive" whereas if it has been assigned a specific meaning, it is "finished" (i.e., over and done with).
In the same paper, Freud (1891) distinguishes between word-presentations, the mental images of words, and thing-presentations, the representations of actual objects. Word-presentations involve the linking of a conscious idea to a verbal stimulus, are associated with the secondary processes, and are oriented towards reality.
Mythological themes are rich in such images, which dreams use. These images, through the medium of the symbol, allow us to go beyond consciousness and inform the subject of an underlying problem or future evolution of the unconscious personality. If the dream's content is too shocking for the conscious mind, the latter immediately awakens in ...
It consists of all the elements—images, thoughts, emotions, and other content—of which the individual is cognitively aware upon awakening. Illustrated through the iceberg analogy, the manifest content would be identified as the "tip": it is visible above the surface, but implies a large but invisible portion underneath. [ 2 ]
A dream is a succession of images, ideas, emotions, and sensations that usually occur involuntarily in the mind during certain stages of sleep. [1] Humans spend about two hours dreaming per night, [ 2 ] and each dream lasts around 5–20 minutes, although the dreamer may perceive the dream as being much longer than this.
The psychological literature has distinguished between several different forms of ambivalence. [4] One, often called subjective ambivalence or felt ambivalence, represents the psychological experience of conflict (affective manifestation), mixed feelings, mixed reactions (cognitive manifestation), and indecision (behavioral manifestation) in the evaluation of some object.
Images and chains of association have their emotional charges displaced from the originating ideas to the receiving one, where they merge and "condense" together. [2] Thus for example a dream figure may resemble A, wear B's clothes and act like C, but nevertheless we know somehow that they are 'really' D - rather as with the composite ...
The mental images it manipulates, whether arising from visions, dreams or sensory perception, were thought to be transmitted through the lower parts of the soul, suggesting that these images could be influenced by emotions and primal desires, thereby confusing the judgement of the intellect.